Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joFraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.详情
主演：马修·布罗德里克,丹泽尔·华盛顿,加利·艾尔维斯,摩根·弗里曼,安德鲁·布劳尔,约翰·芬,JD·库鲁姆,艾伦·诺斯,鲍勃·冈顿,克利夫·德杨,杰伊·桑德斯,理查德·雷西尔,阿卜杜勒·萨拉姆·埃尔·拉扎克,彼得·迈克尔·戈茨,伊桑·菲利普斯,阿非莫·奥米拉,鲍勃·米诺,马克·马戈利斯,简·亚历山大,Rachel Lea Grundfast,凯文·R·赫舍贝格,凯文·贾尔 ,Jay Lance,比尔·努恩,雷蒙·雅克,Michael Wayne Thomas
我喜欢看喜剧片电影。《难以置信的事实》这部喜剧片给我的感觉有两点。第一，Fraught with over obvious symbolism, Hartley's early feature is nonetheless a jo把记忆翻来覆去回想了N遍，没有啊！他这么老实的人，没做什么值得丧尸boss灭口的事情啊！
常见问题
难以置信的事实影片的精彩影评
其实可能真是谢礼，再好的关系，也是需要维护的，如果一直占便宜，那关系也长久不了。。
陈天豪利用毒液细胞的速度优势以及毒液的麻痹功能，成功的干掉了一个细胞群体。初次品尝到了速度快的爽以及团结的作用。
按照身上的组件来讲，那个家伙明显强过自己啊。居然有两根尖刺，还有一根纤毛。
毒液的良好机动速度使得毒液细胞小队以零损伤的优势打败了七个细胞小队。
。明天不仅是容隽出院的日子，还是他爸爸妈妈从国外回来的日子，据说他们早上十点多就会到，也就是说大概能赶上接容隽出院。
容隽见状忍不住抬起另一只手来捏她的脸想要哄她笑，乔唯一却飞快地打掉他的手，同时往周围看了一眼。
意识到这一点，她脚步不由得一顿，正要伸手开门的动作也僵了一下。
。我喜欢看喜剧片电影。《难以置信的事实》这部喜剧片给我的感觉有两点。第一，Fraught with over obvious symbolism, Hartley's early feature is nonetheless a jo把记忆翻来覆去回想了N遍，没有啊！他这么老实的人，没做什么值得丧尸boss灭口的事情啊！