这是Richard Lester最好的一个片。 An absurdist classic This is a wonderful surreal comed这是Richard Lester最好的一个片。 An absurdist classic This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge' - and the mummy bear said, 'that's no porridge, that was my wife' . Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to keep moving!. Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.详情
常见问题
坐卧两用室影片的精彩影评
召唤，它可以召唤比它等级低的丧尸，听从他的命令。。
如果她自己不是当事人，单看那些照片，慕浅自己都要相信这则八卦内容了。
说完她就哼了一声，再度闭上眼睛，翻身睡去。
她一笑，容恒立刻就收回了视线，还控制不住地瞪了她一眼。
走到车子旁边，他才又回过头，却正好看见慕浅从半掩的门后探出半张脸来看他的模样。
见他回过头来，慕浅蓦地缩回了头，砰的一声关上了门。
他们住在淮市，你是怎么跟他们有交集的？眼看着车子快要停下，慕浅连忙抓紧时间打听。
。迟砚从桌子上抽出一张湿纸巾，把孟行悠手上的眼镜拿过来，一边擦镜片一边说：我弟说我不戴眼镜看着凶。
话音落，孟行悠看迟砚张嘴要叫阿姨加肉，赶紧拦住他的手，压低声音制止：我不要！你别让加！
对，藕粉。迟砚接着说，在哪来着？霍修厉每晚都要出去吃宵夜，今晚我带他尝尝。
孟行悠倒是能猜到几分她突然搬出去的缘由，不过这个缘由她不会说，施翘更不会说。
孟行悠涌上一股成就感：那是，我都说了路边摊是好东西，你太不会享受生活了。
霍修厉这个人精不在场，光凭一个眼神就能脑补出了故事，等迟砚从阳台出来，看教室里没外人，直接调侃起来：太子，你可真狠，人姑娘都哭了，那眼睛红的我都心疼。
迟砚眉头皱着，似乎有话想说但又不好开口，孟行悠反应过来，以为是自己留在这里不方便，赶紧开口：你有事的话就先走吧，改天再一起吃饭。
。我喜欢看喜剧片电影。《坐卧两用室》这部喜剧片给我的感觉有两点。第一，这是Richard Lester最好的一个片。 An absurdist classic This is a wonderful surreal comed兰姐拉了拉被韩雪握紧的左手，你带我们来这里做什么？