Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has becParis, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery... In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries. Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964). Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema. Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.详情
我喜欢看电影解说电影。《奈斯尔之塔[电影解说]》这部电影解说给我的感觉有两点。第一,Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has bec慕浅站在那里没动,直至楼道里脚步声消失,她才缓缓拿下自己脑门上那张纸,又看了一眼。
但其实陆沅听出她的状态,沉默了一阵之后,才又道,该说的话,你都已经说了,对不对?。
想了想,本来她打算明天才去卧牛坡的,因为她今天要把后面的竹笋采回来腌上。
张采萱有些胡思乱想,如果她真是为他而来,那么她喜欢那样的人么?
张采萱挑眉,这两人自从搬进来就很老实,除了一开始几天,后来每天砍回来的柴都不少,其实跑两趟西山刚好来得及,他们还顺便劈柴,就得干到晚上。
张采萱看到她身上浅绿的衣衫,笑道:杨姑娘,你这样上山,不觉得不方便吗?
一群人簇拥着那妇人往杨璇儿的家去了。很快,又有妇人跑来,道:采萱,你们家的马车能不能帮忙去镇上请个大夫?咬杨姑娘的蛇大概有毒,肿得厉害,她也昏昏沉沉的唤不醒。你们马车比牛车快。
张采萱听了,也觉得正常,大不了让菜再长高些,其实也差不多。
秦肃凛见她高兴,上前帮忙采,喜欢就多采些,明天还来。
。男人突然欺身而上,唇角微弯,嗓音放沉:那我就让你知道到底有没有。
走近了小林才注意到傅瑾南的不同,待他坐到车上,还特意往回瞧了眼:南哥,怎么换了身衣服?
白阮才把他打理好了,自个儿还没收拾好呢,他倒是催上了。
。我喜欢看电影解说电影。《奈斯尔之塔[电影解说]》这部电影解说给我的感觉有两点。第一,Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has bec慕浅站在那里没动,直至楼道里脚步声消失,她才缓缓拿下自己脑门上那张纸,又看了一眼。