This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!详情
我喜欢看电影解说电影。《马隆布拉[电影解说]》这部电影解说给我的感觉有两点。第一，This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, 屋子里安静无声，她一动不动地靠坐在椅子里，身上披着一件薄毯，膝头放着一本书，也不知是不是睡着了。
常见问题
马隆布拉[电影解说]影片的精彩影评
见她也意识到了，陆沅只是微微一笑，妈妈还是很透彻的，不是吗？。
隔了好一会儿，霍老爷子才又开口：陆家那边，你打算怎么办？
陆沅微微呼出一口气，淡淡道：嗯，那次见面之后，我就有一点怀疑。刚好她也有怀疑，所以现在我们都知道了。
回桐城的飞机在中午一点起飞，正是霍祁然睡午觉的时间。慕浅昨天晚上也只睡了一小会儿，因此带着霍祁然在套间里睡了下来。
。主子，你铁玄看着聂远乔这目光，一下子就惊住了。
他的面前是一碗玉米粒做的粗饭，他看着眼前的肥肉，觉得口水直流。
要是以往的时候，陶氏听到张大湖这么说话，那会有一些得意，觉得自己做饭好吃。
你的意思是我嫁不出去？张玉敏一下子就着急了。
。我喜欢看电影解说电影。《马隆布拉[电影解说]》这部电影解说给我的感觉有两点。第一，This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, 屋子里安静无声，她一动不动地靠坐在椅子里，身上披着一件薄毯，膝头放着一本书，也不知是不是睡着了。