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导演：居伊·德波
主演：未知
简介：关于在短时间内的某几个人的经过视频本站于2024-06-21 10:06:26收藏于/影片特辑。观看内地vip票房，反派角色合作好看特效故事中心展开制作。特别提醒如果您对影片有自己的看法请留言弹幕评论。Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity ofVoice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.详情
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顾潇潇哈哈笑出声来：哎哟，教官讲话还真是好笑，抓我什么，我又没有做错
主演：八木勇征,井上祐贵,樱井海音,椿泰我,田边诚一,笹野高史,竹山隆范,阿部亮平,马渕英俚可
主演：陈凯歌,章子怡,伊莎贝尔·于佩尔,吴镇宇,王志飞,王丽云,惠英红,杨晓培,刘梓晨,杨子,蒋依依,徐开骋,姚笛,张嘉元,金巧巧,佟晨洁,卜冠今,嵇嘉禾,戴向宇,刘家祎,许佳琪,李茂,廖慧佳,白凯南,吕星辰,曹斐然,方力申,高梓淇,黄灿灿,贺美琦,黄子琪,刘美含,刘品言,刘胤君,李奕臻,林子濠,马启越,孙丞潇,苏晓彤,宋伊人,唐禹哲,王佳怡,吴施乐,王佑硕,熊乃瑾,杨雨潼,张百乔,张亮,钟丽丽,赵秦,张婉莹,陈腾跃,赵蕴卓,代高政
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主演：徐志胜,孟子义,李嘉琦,仁科,王子奇,宁静,汪峰,朱丹,蔡文静,周翊然,万鹏,辛云来,欧阳娣娣,闫佩伦,董思成
主演：王俊笔 马浩东 王一舟 安冬 陈震
主演：滕泽文 战宇 王睿子 孙箫涵
主演：知念英和,日野友辅,宫部望美,塚本高史,千岁真知,泷泽谅,川崎帆帆花,古贺瑠
主演：李民浩,金泰妍,金东炫,表志勋,李俊永,禹智皓
主演：知念英和,日野友辅,宫部望美,塚本高史,千岁真知,泷泽谅,川崎帆帆花,古贺瑠
主演：松冈美里,高桥未奈美,高森奈津美
主演：姜虎东,李寿根,金希澈,徐章勋,金永哲,金世晃,黄致列,闵京勋,李相旼,张圣圭
主演：文森特·普莱斯,朱迪思·伊夫林,菲利普·柯立芝,达里尔·希克曼,帕梅拉·林肯
主演：格雷戈里·沃尔科特,莫娜·麦金农,杜克·穆尔
主演：若杉嘉津子,天知茂,北沢典子,江见俊太郎,池内淳子,大友纯,稻垣三郎,芝田新,花冈菊子
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主演：杨丽坤,莫梓江,孙静贞,谭尧中,王苏娅,朱一锦,黄忠,阎杰,李文伟,张雄,杨桂珍,王春英,李月娥,赵羽青,黄虹
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关于在短时间内的某几个人的经过影片的精彩影评
沈棠忍不住偷笑，而乔唯一只是默默地吃着别的东西，只当刚才的事情没有发生过一般。。
容隽听得笑出声来，微微眯了眼看着她，道：你在担心什么？放心吧，我这个人，心志坚定得很，不至于被几个奇葩亲戚吓跑。
虽然她已经见过他妈妈，并且容隽也已经得到了她爸爸的认可，见家长这三个字对乔唯一来说已经不算什么难事，可是她就是莫名觉得有些负担。
乔唯一抵达医院病房的时候，病房里已经聚集了好些人，除了跟容隽打比赛的两名队友，还有好几个陌生人，有在忙着跟医生咨询容隽的伤情的，有在跑前跑后办手续的，还有忙着打电话汇报情况的。
容隽哪能看不出来她的意图，抬起手来拨了拨她眉间的发，说：放心吧，这些都是小问题，我能承受。
虽然乔唯一脸色依旧不好看，但是容隽还是取得了小范围的阶段性胜利——
又过了片刻，才听见卫生间里的那个人长叹了一声。
叔叔早上好。容隽坦然地打了声招呼，随后道，唯一呢？
。张秀娥虽然也想被救出去，但是也是万万不想连累赵二郎这样的关心自己的人的。
聂夫人这样的人就算是不太开心，但是也会保持最基本的涵养，所以说话还算是客气。
聂地主家没有在青石镇上，而是在旁边一个稍微大一点的镇子上。
聂夫人恰到好处的说道：老爷，咱们家的明致长进很大。
。我喜欢看剧情片电影。《关于在短时间内的某几个人的经过》这部剧情片给我的感觉有两点。第一，Voice 1 (male professional announcer type) This neighborhood(1) was made for the宋里长笑了笑，他帮着张秀娥，一个原因是因为得了张秀娥不少好处，一个原因是看张家人不顺眼，当然，这都不是最要紧的原因，最要紧的原因是他知道，张秀娥没那么容易就让张家人栽赃了。