“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent an“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.详情
我喜欢看剧情片电影。《红花之歌》这部剧情片给我的感觉有两点。第一，“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent an景厘拿到学校的offer后，受邀到霍家大宅吃过一顿饭，霍靳西和慕浅都有列席，霍祁然和她也只是聊了些学习生活的相关话题，再无其他。
常见问题
红花之歌影片的精彩影评
如果只是两兄弟有一个去了，那留下的这个无论如何都要去找找看的。但是张家走了一个老二，留下的还有四兄弟呢, 老二之所以会去, 还不是为了剩下的这四人？。
自己的事情也能给忘记，除了顾潇潇还真是没谁了。
李老头笑的喜庆：今天有个好消息告诉大家。
若有所思的看着躺在地上喘气的顾潇潇，肖战心里说不出的震惊。
这要是在以前，林水茹连想都不敢想，潇潇有多恨顾长生，她比谁都清楚。
上次听江老师说她数学只考了二十分，童晓丽简直要气炸了，心里已经认定她就是不学无术的坏学生。
哟，那是好事呀，杜明明成绩突飞猛进，确实值得高兴。
臭丫头，以后教你学武术？肖战不确定的问。
。正在这时，眼前的房门却突然被人叩响，伴随着程曼殊疑惑的声音，你干什么呢？
霍靳西摸了摸霍祁然的头，沉眸看着不远处站着的慕浅。
霍祁然抿了抿唇，似乎对这一点并不怎么感兴趣。
事实上，他这段时间那么忙，常常十天半个月地不回家，在今天之前，她已经有十三天没有见过他了，就算整个晚上都盯着他看，又有什么奇怪？
晚餐后，慕浅领着霍祁然坐在沙发里看春晚。
难道只因为他生母身份不明，就这么不招待见？
这段时间她都把自己关在房间里养病，不见外人。霍老爷子说，这样也好，少闹腾，大家都轻松。
。我喜欢看剧情片电影。《红花之歌》这部剧情片给我的感觉有两点。第一，“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent an景厘拿到学校的offer后，受邀到霍家大宅吃过一顿饭，霍靳西和慕浅都有列席，霍祁然和她也只是聊了些学习生活的相关话题，再无其他。